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Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale
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Limited Edition In Six Panel Digipack + Inside Booklet. New Covers By Legendary Jazz Photographers.

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Customer reviews

4.5 out of 54.5 out of 5
115 global ratings

Top reviews from the United States

Mike TarraniTop Contributor: Drums
5.0 out of 5 starsVerified Purchase
A confession of a Bill Evans fan
Reviewed in the United States on June 28, 2013
I came across this for the first time a day ago and it''s been playing almost non-stop since. I do not know how it escaped my notice because I am a big Bill Evans fan and also love Cannonball''s playing. My ability to write falls way short of describing the beauty... See more
I came across this for the first time a day ago and it''s been playing almost non-stop since. I do not know how it escaped my notice because I am a big Bill Evans fan and also love Cannonball''s playing.

My ability to write falls way short of describing the beauty of this album, especially the first ten tracks. Please give the sound samples on this page a listen because they will convey the essence of this album far better than I.

The first ten tracks are the original ones on the 1961 album titled Know What I Mean? that was recorded for Riverside at the Bell Sound Studios in NYC over three sessions on January 27, February 21 and March 13, 1961. Cannonball Adderley is the session leader with Evans and MJQ''s bassist Percy Heath and drummer Connie Kay rounding out the rhythm section. To my ears this much simpler ensemble showcases Adderley''s talents on alto far better than any other in which I''ve listened to him. Indeed, the final two tracks which does not feature Evans, but has Adderley in a bigger ensemble bears out my opinion.

The next two tracks - 11 and 12 - feature Evans solo and then with one of his best trios. Track 11 was recorded at Reeves Sound Studios in NYC on September 18, 1956 and features Evans playing a beautiful solo rendition of Waltz for Debby. Track 13 was recorded in NYC on February 2, 1961 with Scott LaFaro on bass and Paul Motian on drums.

On the last two tracks Evans is not present. It''s two audio tracks taken from a live performance that was broadcast on the TV program Jazz Casual (Cannonball Adderley) on October 24, 1961. The actual taping was in September 1961 in San Francisco. Personnel are Cannonball backed by Nat Adderley on cornet, Joe Zawinul on piano, Sam Jones on bass and Louis Hayes on drums.

If you are a fan of either Adderly or Evans this album will probably please you. I am a fan of both and it''s still playing in the background as I type this review.
9 people found this helpful
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Fly By Light
5.0 out of 5 starsVerified Purchase
Great Combo Playing Great Jazz
Reviewed in the United States on January 4, 2008
This is a fascinating collaboration. The result is far more rewarding than words can convey. Adderly is playing neither at his most blazing, or his most edgy; rather, he just lays back, relaxes and has fun singing out on some fairly straight-forward, cheerful standards.... See more
This is a fascinating collaboration. The result is far more rewarding than words can convey. Adderly is playing neither at his most blazing, or his most edgy; rather, he just lays back, relaxes and has fun singing out on some fairly straight-forward, cheerful standards. He occasionally lets his "Charlie Parker" show, but his performance is mostly "engaging". It''s also technically wonderful, but the joy of the performance is what holds you.

Adderly shows his typical generosity with his guest musician. Bill Evans is just a few months removed from his legendary Village Vanguard performance. He might as well be hours away - his intriguing voicings and sparse accompaniments are very identifiable. However, he is not constantly trading off licks with the bass player like he did with his regular bassist Scott LaFaro; he has more room to work when it''s his turn to solo, so his playing is busier than when he plays with his LaFaro trio. Evans fans may miss LaFaro, but it is a rare treat to hear Evans do all the heavy lifting when it''s his turn to solo (at least in this stage of his career).

As a Bill Evans fan, I''m already covered up in "Waltz for Debby" renditions and thought this track would be a throw-away, especially since I have not been enamored with horn parts on the song. What a surprise - this version has quickly become my favorite version of the song and is one of my favorite cuts on the CD.

As a final note, the recording is "just right" here. There is a nice sense of space on this record that puts the listener right in the middle of things. The mix allows everyone to be heard clearly and stands out precisely because it is completely transparent.

These guys can play circles around just about anyone, but because they don''t let their technique overtake the music here and let the fun show through, this is a very successful recording as a result.
10 people found this helpful
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KJS
5.0 out of 5 starsVerified Purchase
One of the finest jazz recordings I''ve heard
Reviewed in the United States on September 14, 2007
I always hope I''ll find another jazz album that might hold up to hundreds of listenings, like Kind of Blue and Oregon''s Out of the Woods, and here''s one for the ages. Not incidentally, Evans and Adderley feature heavily on Miles'' masterpiece, and Cannonball... See more
I always hope I''ll find another jazz album that might hold up to hundreds of listenings, like Kind of Blue and Oregon''s Out of the Woods, and here''s one for the ages.

Not incidentally, Evans and Adderley feature heavily on Miles'' masterpiece, and Cannonball wisely took Evans into the studio at Bill''s creative peak a year or so later.

I was in the midst of a major Evans craze last year, rejoicing in his dozens of high-quality albums, when I came across this relatively unheralded outing as a sideman, a rare event for the master of sublime voicings. Adderley knew exactly what he was doing, as Evans frames each tune so gorgeously that Cannonball''s alto never soared higher or sounded better than it does here, enveloped in Evan''s classical harmonies.
Every tune is a highlight; Waltz For Debby gets yet another classic take.

Where Kind of Blue is moody and weighty, Know What I Mean is relaxed and ebullient, always joyful, even during the ballads.

This would be a perfect first album to get for someone who wants to know what jazz is. It''s melodic all the way, swings with that supple MJQ rhythm, and just plain makes you feel great every time it''s played.
What more can one ask of music?

God bless you, Bill. You''ve made so many lives so much sweeter with your heavenly music.
8 people found this helpful
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A. Serhan
5.0 out of 5 starsVerified Purchase
A must have
Reviewed in the United States on January 20, 2020
This is a beautiful recording and an outstanding performance by two great Jazz artists that should not be missed.
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Rob Keil
5.0 out of 5 starsVerified Purchase
Beautiful, Swinging, Timeless
Reviewed in the United States on December 12, 2003
This is truly one of the great jazz albums of all time. Surprisingly, Evans'' introspective style and Cannonball''s soulful approach meld together perfectly. Perhaps this is testament to just how hugely talented these men are. Both The technical skill and pure musicmanship... See more
This is truly one of the great jazz albums of all time. Surprisingly, Evans'' introspective style and Cannonball''s soulful approach meld together perfectly. Perhaps this is testament to just how hugely talented these men are. Both The technical skill and pure musicmanship displayed on this record is just amazing. I''ve owned this CD for over 10 years now and still find so much to listen to in these recordings. Highlights are the amazing "Waltz For Debby" and Earl Zindars'' waltz "Elsa", easily one of the most beautiful songs ever written, in my opinion. You simply cannot go wrong with this CD.
11 people found this helpful
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M. Anders
5.0 out of 5 starsVerified Purchase
A Dream Combo That Doesn''t Disappoint
Reviewed in the United States on March 9, 2014
Consensus alto genius, Cannonball Adderley, jazz piano virtuoso, Bill Evans, steadied by MJQ alumni virtuosi, Percy Heath on bass and Connie Kay on drums. Put ''em together and what have you got? a post-bop straight ahead jazz album that is a pleasure to the ear. It''s not... See more
Consensus alto genius, Cannonball Adderley, jazz piano virtuoso, Bill Evans, steadied by MJQ alumni virtuosi, Percy Heath on bass and Connie Kay on drums. Put ''em together and what have you got? a post-bop straight ahead jazz album that is a pleasure to the ear. It''s not elevator music by any stretch, but it is easy to listen to again and again (as I have already done).
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Samuel L. Piercy II
5.0 out of 5 starsVerified Purchase
The digital download card was a great extra bonus
Reviewed in the United States on April 30, 2017
I typically only buy one record per artist, but Cannonball is an exception (also own "Something Else"). You''re not a bebop fan if you don''t own this! The digital download card was a great extra bonus!
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Ric A.
5.0 out of 5 starsVerified Purchase
Sounds good for its price
Reviewed in the United States on October 26, 2020
This one surprised me. I have not heard of the label before but still gave it a shot since it is hard to find a current pressing of this record. For its price, it sounds great! No regrets on getting this pressing.
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Top reviews from other countries

Cristian E.
5.0 out of 5 starsVerified Purchase
Five Stars
Reviewed in the United Kingdom on September 19, 2015
Excellent!
Excellent!
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tomfb
5.0 out of 5 starsVerified Purchase
Brilliant pair
Reviewed in the United Kingdom on June 28, 2015
Two brilliant musicians in sync
Two brilliant musicians in sync
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LUIS SARVISE
2.0 out of 5 starsVerified Purchase
Buen disco y fatal.embalaje.
Reviewed in Spain on May 6, 2019
El disco en formato LP es muy bueno musicalmente hablando. Cuarteto de.lujo con Bill Evans al piano y la.seccion ritmica dw Modern Jazz Quartet, es decir Percy Heath al bajo y Connie Kay a la bateria. Sin embargo el disco tiene dos esquinas chafadas y el lomo donde va el...See more
El disco en formato LP es muy bueno musicalmente hablando. Cuarteto de.lujo con Bill Evans al piano y la.seccion ritmica dw Modern Jazz Quartet, es decir Percy Heath al bajo y Connie Kay a la bateria. Sin embargo el disco tiene dos esquinas chafadas y el lomo donde va el nombre esta abiweto. Tambien la.funda interior esta rota.
El disco en formato LP es muy bueno musicalmente hablando.
Cuarteto de.lujo con Bill Evans al piano y la.seccion ritmica dw Modern Jazz Quartet, es decir Percy Heath al bajo y Connie Kay a la bateria.
Sin embargo el disco tiene dos esquinas chafadas y el lomo donde va el nombre esta abiweto.
Tambien la.funda interior esta rota.
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FGuit
5.0 out of 5 starsVerified Purchase
Adderley y Evans, ¿Sabes lo que que quiero decir?
Reviewed in Spain on March 30, 2019
No importa que no figure en las listas de de discos imprescindibles del jazz, "Know what I mean?" es una auténtica delicia para los oídos. El lirismo de Evans junto con el virtuosismo, la alegría y la energía desbordante del saxo de Cannonball da como resultado una obra...See more
No importa que no figure en las listas de de discos imprescindibles del jazz, "Know what I mean?" es una auténtica delicia para los oídos. El lirismo de Evans junto con el virtuosismo, la alegría y la energía desbordante del saxo de Cannonball da como resultado una obra maestra del jazz. ¡Recomendado!
No importa que no figure en las listas de de discos imprescindibles del jazz, "Know what I mean?" es una auténtica delicia para los oídos. El lirismo de Evans junto con el virtuosismo, la alegría y la energía desbordante del saxo de Cannonball da como resultado una obra maestra del jazz. ¡Recomendado!
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Marco Maria
5.0 out of 5 starsVerified Purchase
Capolavoro assoluto!!
Reviewed in Italy on May 17, 2014
Cannonball è stato uno dei più grandi sassofonisti mai esistiti. Questo disco, insieme a Something Else, rappresenta il culmine della sua meravigliosa produzione musicale. Non si può non avere questo disco se si ama la musica, non solo jazz. Assolutamente stratosferico!!See more
Cannonball è stato uno dei più grandi sassofonisti mai esistiti. Questo disco, insieme a Something Else, rappresenta il culmine della sua meravigliosa produzione musicale. Non si può non avere questo disco se si ama la musica, non solo jazz. Assolutamente stratosferico!!
Cannonball è stato uno dei più grandi sassofonisti mai esistiti.
Questo disco, insieme a Something Else, rappresenta il culmine della sua meravigliosa produzione musicale.
Non si può non avere questo disco se si ama la musica, non solo jazz.
Assolutamente stratosferico!!
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Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale

Know What I outlet online sale discount Mean sale